The Mentor: Makers of Modern Opera, Vol. 1, Num. 47, Serial No. 47

Name: The Mentor: Makers of Modern Opera, Vol. 1, Num. 47, Serial No. 47
Author: Henry Edward Krehbiel

An essay traces the origins of opera to a Florentine effort to restore music's union with poetry and action, follows the art's spread and the emergence of national schools, and contrasts Italian melodicism with German innovations exemplified by Wagner. It profiles Verdi's development from impetuous melodist to mature dramatist, highlighting his persistent emphasis on vocal melody, evolving orchestration, and collaboration with Boito. It also surveys the turn toward realism, noting composers who advanced verismo and those who returned to lyrical tradition, and discusses how local color and varied dramatic methods reshaped modern operatic composition.

By Henry Edward Krehbiel

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About the Author

Henry Edward Krehbiel

Henry Edward Krehbiel was an American music critic and author, renowned for his insightful writings on opera and music appreciation. He contributed significantly to the understanding of the lyric drama, particularly through his works such as "A Book of Operas: Their Histories, Their Plots, and Their Music" and "Chapters of Opera," which provide historical and critical observations of opera in New York. Krehbiel's writings often aimed to educate untaught lovers of music, as seen in his guide "How to Listen to Music." His scholarship and critiques have left a lasting impact on the field of music literature, making him a notable figure in the study of opera.