About This Book
A series of lectures presents principles linking true design to the study and practice of organic form, arguing that fine art requires the unified action of hand, head, and heart distinct from mere manufacture. The author contrasts manufacture, art, and fine art, warns that industrial processes blunt feeling, and urges artists and architects to learn carving and painting rather than leaving ornament to separate trades. Discussions cover imagination in architecture, the role of iron in nature and policy, and practical implications for modern manufacture and ornament, with appended essays expanding on applied design and artistic education.
About the Author
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