About This Book
A sustained critical study of Venetian architecture traces the city’s transition from medieval Gothic exuberance to Renaissance classicism by distinguishing early, central (Roman), and grotesque phases and examining how changing tastes, technical practices, and moral assumptions altered ornament, proportion, and urban character. The writer diagnoses decline in earlier forms in terms of over-luxuriance and excessive refinement and argues for temperance as the governing aesthetic principle. Close visual analysis of capitals, archivolts, cornices, tracery, and other details accompanies broader reflections on civic life and artistic causation. Appendices, illustrative plates, and comprehensive indices support documentary questions and further study.
About the Author
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