About This Book
The work collects three main sections: a personal note on founding the Kelmscott Press, an extended essay on the ideal book and the craft of printing, and original end-notes with catalogues and facsimile pages. The author advocates hand-made materials and medieval-inspired letterforms, treating paper (favoring linen), type design, spacing, page layout, ornamentation, and printing technique in both aesthetic and practical terms. Descriptive listings of press productions, annotated notes, and reproduced page images exemplify how theory and practice were combined to produce readable, visually unified books.
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