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Our Fathers Have Told Us / Part I. The Bible of Amiens cover

Our Fathers Have Told Us / Part I. The Bible of Amiens

A series of accessible historical sketches presents episodes from Christian history for young readers, using lives of saints, cathedral features, and local legends to illuminate faith, charity, and piety. Descriptive passages examine medieval architecture and ritual as tangible expressions of belief, while anecdote and legend supply moral examples and models of conduct. The author pairs narrative retellings with reflective commentary on religious practice and social attitudes, and organizes the material into chapters supported by illustrations and appendices that provide chronological notes and explanatory references.

About This Book

A series of accessible historical sketches presents episodes from Christian history for young readers, using lives of saints, cathedral features, and local legends to illuminate faith, charity, and piety. Descriptive passages examine medieval architecture and ritual as tangible expressions of belief, while anecdote and legend supply moral examples and models of conduct. The author pairs narrative retellings with reflective commentary on religious practice and social attitudes, and organizes the material into chapters supported by illustrations and appendices that provide chronological notes and explanatory references.

About the Author

Ruskin, John portrait

John Ruskin

John Ruskin (1819-1900) was a prominent English art critic, social thinker, and philanthropist, known for his influential writings on art and architecture. He played a crucial role in the Victorian art world, advocating for the appreciation of nature and the importance of craftsmanship. His notable works include "Modern Painters," where he championed the works of J.M.W. Turner, and "The Stones of Venice," which explored the relationship between architecture and society. Ruskin's later writings, such as "Fors Clavigera," reflect his deep concern for social issues and the welfare of workers. His legacy continues to impact art criticism and social thought.

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