Modern Painters, Volume 4 (of 5)
An extended critical and descriptive study examines how Turner and other modern painters render mountain scenery, tracing the picturesque through topography, light, and varying kinds of mystery while analyzing the interplay of sky and land. It systematically treats the geological materials and sculptural forms of mountains—crystallines, slaty and coherent rocks—and derives resulting shapes such as aiguilles, crests, precipices, banks, and stones, considering their contributions to mountain gloom and glory. Chapters blend technical observation with aesthetic theory and close readings of drawings and plates, and appendices address grotesque elements, rock cleavage, and principles of logical education for observing and representing landscape.
About This Book
An extended critical and descriptive study examines how Turner and other modern painters render mountain scenery, tracing the picturesque through topography, light, and varying kinds of mystery while analyzing the interplay of sky and land. It systematically treats the geological materials and sculptural forms of mountains—crystallines, slaty and coherent rocks—and derives resulting shapes such as aiguilles, crests, precipices, banks, and stones, considering their contributions to mountain gloom and glory. Chapters blend technical observation with aesthetic theory and close readings of drawings and plates, and appendices address grotesque elements, rock cleavage, and principles of logical education for observing and representing landscape.
About the Author
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