About This Book
A sequence of contemporary letters and criticism examines whether a recently staged comedy is an original work or an adaptation of a German play, parsing press disputes over authorship and theatrical propriety. The critic evaluates the piece act by act, praising naturalistic dialogue and picturesque scenes while faulting weak farcical elements, and compares the playwright’s style to other dramatists. The collection concludes with the critic’s personal account of composing his first published article, followed by the original letters and the piece that launched his journalism career.
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