About This Book
A series of interpretive essays argues for an aesthetic criticism grounded in personal, concrete impressions, proposing that beauty is relative and best analyzed by isolating the quality that produces pleasure. It traces a broad Renaissance movement, its earlier stirrings and later fruition, and offers close readings of individual figures and works, disentangling their distinctive virtues. The author emphasizes temperament, the critic's sensibility, and the need to discriminate subtle influences in poetry, painting, and cultural life, while surveying stylistic tendencies, historical context, and the ethical and emotional tones that shape artistic achievement.
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