About This Book
A sequence of nine concise critical essays that examine literary form, style, and reception through close readings of English and Continental writers. One essay contrasts prose and poetry and analyzes prose rhythm, others discuss writers such as Amiel, Browning, Wordsworth, and several contemporary poets and novelists, and one treats the theatrical tradition; the writer combines aesthetic theory with practical judgments, balancing technical observations about diction, rhythm, and structure with reflections on imagination, taste, and literary history. The collection favors elegiac, finely wrought prose and models attentive, occasionally corrective critical judgment.
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