About This Book
A systematic application of the experimental method treats art as the product of natural and social causes, tracing how individual production, artistic schools, and contemporary society shape style. It analyzes imitation versus essential characterization, arguing that art aims to render relationships of parts and essential character rather than mere exact copies, and distinguishes arts that copy organic and moral dependencies (painting, sculpture, poetry) from those grounded in mathematical relations (architecture, music). Chapters examine climate and moral temperature, historical examples, laws of artistic production, and the role of art in fostering disinterested contemplation alongside scientific inquiry.
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