About This Book
The author examines whether short-story composition is a fine art or a commercial trade, blending pedagogy with critical commentary. He critiques popular influences that encourage formulaic or sensational tales, surveys technical elements such as action, plot construction, endings, and the relationship of form to substance, and warns against cinematic imitation and contrived conclusions. Chapters mix classroom observations, recurring faults, and practical guidance for cultivating effective narrative effect and craft. The work aims to help aspiring writers distinguish enduring artistic choices from market-driven shortcuts and to sharpen technique through disciplined attention to structure, tone, and reader response.
About the Author
You May Also Like
6 picks
The Writings of Samuel Adams - Volume 2
by Samuel Adams
Sésame et les lys: des trésors des rois, des jardins des reines
by John Ruskin
Books and Bookmen
by Ian Maclaren
The Essays of Arthur Schopenhauer; On Human Nature
by Arthur Schopenhauer
Correspondance: Lettres de jeunesse
by Émile Zola
A General Plan for a Mail Communication by Steam, Between Great Britain and the Eastern and Western Parts of the World
by James MacQueen