About This Book
This collection of essays argues that true criticism requires judicial judgment rather than mere sympathetic taste, and surveys aesthetic principles such as real apprehension, the point of rest, imagination, pathos, poetical integrity, and the poetry of negation. The author explores the moral tone of art, advocating cheerfulness and moral clarity, and considers limitations of genius alongside reflections on love and poetry. Several pieces offer critical readings of nineteenth-century poets and painters, and others investigate architectural styles and the relation of ideal and material greatness, concluding with reflections on knowledge, opinion, and social inequality.
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