About This Book
A collection of critical essays surveying contemporary painting, arguing that nineteenth-century French art combined exceptional talent with a new intention that altered artistic priorities and led to mixed results. The author analyzes individual painters and schools, considers academic training, patronage, dealers, nationality, and the effects of photography, and addresses subjects such as religiosity and sexuality in art. Chapters blend close readings of works with historical context and polemical reflection on technique, taste, and the social institutions that shape modern artistic practice.
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