About This Book
This collection gathers critical essays and newspaper feuilletons in which the author reflects on musical life, recounts his experience as a critic, and evaluates works, performances, and institutions. He alternates polemic and praise, employing a prose shaped by musical principles—changes of tempo, repetition, and cadence—to analyze repertoire, defend admired masters, and deplore the compromises imposed by journalistic necessity. Memoir-like passages about the burdens and occasional consolations of public criticism sit alongside practical reviews of concerts and operas and meditations on the challenge of rendering musical truth in words.
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