About This Book
The work analyzes the conductor's function and technique, asserting that a conductor profoundly shapes how music is heard. It details required capacities — hearing, sight, score literacy, pulse control, instrumental knowledge and persuasive leadership — and explains practical duties in rehearsal and performance: correcting ensemble faults, choosing tempi with or without metronome markings, subdividing beats, and coordinating singers and orchestra. It contrasts the challenges of directing operatic versus symphonic repertoire, warns against mechanical or unsympathetic direction, and emphasizes the need to convey feeling so performers respond with unity and vitality.
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