About This Book
The volume opens with a preface that critiques prevailing attitudes toward poetry and sets out practical principles of craft, arguing that cadence or rhythm, produced by stress and breath, is the true basis of poetic form. It questions rigid metre and obligatory end-rhyme, advocates varied tempos, dominant motifs, repetition and development, and urges disciplined experiment rather than sloppy free verse. Drawing on contemporary continental experiments, the preface encourages new, language-specific forms. The poems that follow enact these ideas by prioritizing musical effect, controlled variation, and focused images to shape perception into cohesive lyrical statements.
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