About This Book
A collection of essays argues that architectural forms express states of consciousness and social conditions, considering how democratic ideals shape and are reflected in building and ornament. Early essays trace prewar, wartime, and postwar relationships between civic life and built form; others explore mathematical bases for ornament and the notion of higher spatial dimensions informing design. Additional pieces discuss color and ceramic practice, symbolic and sacral meanings in art, the role of individual self-education in design, and a tribute to a prominent architect. Throughout, visual examples and practical reflections link theoretical ideas about form, symbolism, and social purpose to the practice of architecture.
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