About This Book
An essay surveys portrait engraving as a fine art, examining its technical relation to painting and arguing that engravings act as translations that convey drawing and expression through light and shade. The author reflects on personal consolation found in studying prints and describes major collections visited, while assessing the artistic merit of engraved portraits versus copied pictures. Discussions highlight the work of major masters and eminent engravers, the scarcity of truly great engraved portraits, and engraving's historical role in disseminating likenesses and preserving artists’ and notable figures’ images for wider audiences.
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