About This Book
The essay investigates a celebrated medieval gold-and-enamel ornament held in a museum, offering a close physical description, analysis of its inscription, and arguments about its purpose and association with King Alfred. It combines art-historical examination of technique and lettering with comparisons to contemporary metalwork and illuminated sources, and reports on local topography, documentary and genealogical evidence, and the circumstances of the object's discovery. Illustrated plates, maps, and scholarly correspondence support a case for a strong probability that the object relates intimately to Alfred’s time and intent, while the author frames conclusions as provisional and invites further scrutiny.
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