About This Book
A collection of essays examines the relationship between Shakespearean drama and contemporary theatrical practice, arguing for simplified scenic methods, the actor's primacy, and a repertory approach to sustain vitality. It surveys historical production methods and audience conditions from Elizabethan playgoing to Restoration alterations, considers biographical and oral traditions surrounding the playwright, and assesses the contributions of notable actors and managers. Other pieces analyze philosophical and patriotic themes in the plays, trace reception in France, warn against scholarly forgery, and propose practical reforms for municipal theatres, commemoration, and ongoing public appreciation.
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