About This Book
A compilation of prefaces and manifestos that lays out the authors' aesthetic program across fiction, theater, history, art criticism, and Japonisme. The essays advocate formal experimentation and the use of documentary detail and everyday life in fiction, a shift away from narrow love plots toward psychological and social study, a literary but spoken stage language, and the use of letters, images, and objects as historical materials. Interwoven reflections describe early publication difficulties and the evolving principles that guided their critical judgments and later works.
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