About This Book
The author offers a series of personal essays and portraits recalling colleagues, musical works, and debates of his time, combining anecdote, critical appraisal, and reflections on aesthetics and orchestration. He examines shifts in taste between melody and harmony, discusses instrumentation and compositional technique through close readings of major composers, and recounts vivid memories of performances and conversations. The text blends appreciative biographical sketches, candid criticism, and practical observations about musical practice, without aiming for a systematic memoir.
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