Old Scores and New Readings: Discussions on Music & Certain Musicians
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About This Book
The collection assembles critical essays on composers and key works from early sacred polyphony to late Romantic opera, combining biographical sketching with close musical readings. The author contrasts sacred and secular traditions, assesses vocal writing, orchestration, and structural design, and reflects on performance practice and contemporary reception. Individual pieces focus on particular masses, operas, passions, symphonies, and the personalities of composers, while some essays address concert life and conducting. The tone balances candid aesthetic judgment with historical context and practical musical insight.
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