About This Book
The collection comprises critical essays surveying living novelists and literary trends, beginning with a critique of contemporary reviewers' excessive praise and proceeding to individual assessments of major and popular writers. Each essay evaluates style, themes, and reputation—discussing Dickens and Reade, Stevenson, Meredith and Hall Caine, Kipling, Hardy and George Moore, and other figures—considering French influence, popular enthusiasm, and the divide between fashion and durable merit. Shorter pieces address regional and younger writers, American fiction, and bestselling melodramatists, balancing commendation with pointed argument about censorship, puffery, and what constitutes lasting art.
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