About This Book
The author sets out a critical framework arguing that great painting seeks pure aesthetic ends analogous to music, criticizes reliance on literary or illustrative elements, and measures works by their capacity to produce profound aesthetic emotion. He contrasts traditional and modern methods, then surveys major figures and movements—Manet, the Impressionists, Cézanne, Neo-Impressionists, Gauguin, Degas, Matisse, Picasso, Futurism, Synchromism and others—assessing their aims, innovations, interrelations, and what each contributes to the development and future possibilities of modern painting.
About the Author
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