About This Book
The work surveys the history and iconography of the Virgin Mary in Western art, tracing development from early mosaics and Byzantine icons through medieval, Renaissance, and Baroque phases. It examines theological and cultural influences such as councils, iconoclasm, crusading exchange, and Jesuit devotion, and discusses legends about sources of Marian imagery like St. Luke. The text catalogues symbols, attributes, costume, and color; devotional cycles and altar compositions (including Pietà, Coronation, the Seven Joys and Sorrows, and the Immaculate Conception); and contrasts national and school-based types. Critical observations address tendencies toward portraiture, ornament, and changing artistic aims, with notes to aid visual interpretation.
About the Author
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