About This Book
The essay investigates what makes things comic, isolating a core element common to gestures, situations, words and characters. Bergson argues the laughable is strictly human, requires a detached observer and social resonance, and functions as a corrective social force. He analyzes comic effects as arising from rigidity or automatism interrupting living behavior—mechanical inelasticity imposed upon life—and shows how verbal misunderstandings, bodily attitudes, and character types produce laughter. Examples move from forms and movements to situations and character studies, concluding with reflections on the comic's relation to art and the imagination.
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