About This Book
The essay reconstructs how Shakespeare’s late island drama may have emerged from contemporary shipwreck reports, sailors’ gossip, and printed voyage narratives, arguing that prosaic facts provided ballast for theatrical fantasy; it shows how elemental spirits, a native figure, and romantic-comic devices were woven from travel lore and stage convention. The volume pairs this conjecture with an introduction and notes that situate the argument within critical discussion and trace the play’s literary and theatrical antecedents.
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