About This Book
This biography traces the composer's origins and formative training, follows his migrations through German, Italian, and English contexts, and outlines the arc of his public career. It analyzes technical method and catalogues major genres — operas, oratorios, keyboard, chamber, and orchestral music — arguing that operatic and instrumental achievements have been unduly neglected. The author examines influential teachers and stylistic debts, discusses performance practice and interpretive problems, and offers critical readings of representative works. Appendices supply a systematic list of compositions, a bibliography, illustrations, and editorial notes to aid further study.
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