About This Book
The author surveys distinguished vocalists from the establishment of Italian opera to the late nineteenth century, offering concise biographical sketches, critical appraisals of vocal qualities and stage manner, and anecdotes drawn from contemporary memoirs and reviews. Material is organized chronologically and by voice type — prima donnas, tenors, baritones, contraltos, basses — and supplemented by a chronological table and portraits. Chapters trace stylistic trends, repertoire associations, and professional trajectories, while noting technical strengths, public reception, and the sources used for the condensed entries.
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