About This Book
A series of lectures isolates the novel's chief aspects—story, people, plot, fantasy, prophecy, pattern and rhythm—and offers practical, example-driven criticism. The speaker proposes a working definition, considers what to include under English fiction while acknowledging continental exemplars, and distinguishes character-driven from plot-driven writing. Close attention is paid to imaginative elements, structural patterning and rhythmic prose, with references to canonical authors used to show how these techniques shape moral and psychological perception.
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