About This Book
A detailed technical and biographical study traces the development of a Cremonese violin maker's methods, designs, and workshop practice. It charts early training and the gradual emergence of a personal model, describing alterations to soundholes, arching, purfling, varnish, and scroll work, and discusses constructional elements such as linings, bass bar, and finishing. The author assesses tonal objectives, the roles of assistants and pupils, and the circulation of imitations, noting variations across periods and later-life modifications that suggest assisted production. Plates and illustrations accompany close readings of patterns and workmanship, and the book concludes with discussion of market valuation and changing reputation after death.
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