About This Book
The author argues that art and ritual share a common root and traces how communal religious ceremonies gave rise to theatrical and visual forms. Drawing on Greek practice, she examines pantomimic dances, periodic spring festivals and the dithyramb, follows the transition from ritual dromena into staged drama, and reads works of sculpture such as the Panathenaic Frieze and the Apollo Belvedere in ritual terms. She closes by considering how these ancient connections inform questions about art’s relation to religion, morality and public life.
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