About This Book
The essay examines ancient lyric poetry by tracing its psychological and historical origins, arguing that poetry arises before philosophy from imaginative faculties. It distinguishes pastoral—rooted in external scenes and producing simple pleasure—from lyric, which addresses inward subjects and seeks admiration of divine powers. The author outlines a progression from primitive extempore songs through mythic allegory influenced by earlier civilizations to more refined odes exemplified by Horace and other lyric models. He analyzes poetic technique—unity of sentiment, propriety of passions, relation of language to feeling, and the poet's judgment—defends the civilizing role of imaginative religion, and offers critical rules for composing effective lyric verse.
About the Author
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