About This Book
This work traces the development of wood-engraving from its origins through medieval block-books and early northern and Italian print traditions, surveying principal practitioners and shifts in technique. It examines the roles of figures like Albrecht Dürer and Hans Holbein, the waning of certain methods, and later revivals and innovations in modern wood-engraving. Emphasis is given to the art’s function in book production, ornament, and illustration, and to how engraved blocks reflect changing cultural and civilizational tastes. Chapters pair historical narrative and critical observation with numerous reproduced cuts and a concise bibliography to aid students and cultivated readers.
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