About This Book
The narrative opens with a convivial breakfast at an artist's Chelsea studio and then turns to the killing, on a May morning in 1919, of one young man by another who professed friendship. The book reconstructs the peculiar circumstances around the death, follows the ripple effects on a circle of acquaintances drawn from the art world and naval life, and traces subsequent inquiries and a private legal examination. Through detailed social observation and shifting masks of motive it examines culpability, loyalty, and the uneasy gap between outward appearance and inner truth.
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